Jul 28

Remember the time when musicians actually stood for things?  Not like today’s artists, such as Green Day and Incubus, who lambasted the Bush Administration for the wars in the Middle East, who have now gone quiet in criticism of Obama for perpetuating this same wasteful conflict.  Remember when artists celebrated creative individuality as opposed to parroting popular rhetoric, easily accepted by the majority?

One such musician, composer, and individual who proudly marched to the beat of his own drummer was Frank Zappa.  Frank made no apologies to anyone; religious leaders, congress, the average American, feminists, gays, Republicans, Democrats, musicians, and many more.  Pretty much any group whose own special interests were held high upon a pedestal were fair game for Zappa to publicly ostracize.  Not just a musical hero of mine, Frank Zappa embraced individual freedom and fought (sometimes even on Capital Hill) collective group thought; in my eyes his most redeemable qualities.

One such group Zappa disdained above all others were workers unions.  From about the first moment Frank was composing and recording music, unions had been making his life a living hell.  Union representatives for stagehands would threaten to prevent any recording equipment from being switched on until a series of expensive special union fees were met by Zappa.  “I have experienced situations in which union stagehands were paid astonishing amounts of money for doing nothing.  In some instances, they actually degraded the quality of the live shows they were hired to work on.”  The methods that union reps operated on, Zappa said, boarded on “extortion, subjecting touring groups to interpretations of regulations that border on science fiction.”

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Jul 27

Shocker of the year: Band named Gov’t Mule has libertarian roots. Ok, so its almost expected that this southern rock blues band is not flying the flag of socialism, but for a group of guys who have generally kept political issues out of their material, their 2009 release, By a Thread, sheds some light into how they view current American political policy.

One of the hardest working bands in the industry (and one of the best live acts I’ve seen personally), Gov’t Mule hits home their dissatisfaction with current American anti-terrorism policy, the PATRIOT Act.  Mule attacks this horrible piece of legislation in their song ‘Monday Mourning Meltdown’ as “damn deceiving” and lyricist Warren Haynes regrets “believing,” presumably the Act, in the first place.

Indeed, the PATRIOT Act is the single biggest intrusion into our lives and civil liberties infringement in the 21st century.  The government can now legally wiretap your personal phone conversations, enter your home without a warrant, and detain you indefinitely without judicial freedom.  Widely criticized under its Bush-era inception, the PATRIOT Act has since been renewed by President Barack Obama and Democratic majority Federal houses.

The album cover displays the world loosely kept together by a thread, from which a helpless man desperately clings to.  As the world spins towards collective economic collapse, it often feels that if our grip fails, we will fall into the pit of oppression and strife.

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Jul 26

Since I’ve become engulfed in the freedom movement, my liberty senses have been finely attuned to all things which question tyranny.  Whether comments made by people in passing, music, or cinema, I seem to be more receptive to messages which embrace individualism and reject collectivism.

To my pleasure, one of my favorite bands, Spock’s Beard, recently released an album, X, with a great libertarian song, ‘Their Names Escape Me.’  Spock’s Beard is an epic progressive rock band who has been on the music scene for almost two decades.  Their musicianship has always been top notch; blistering guitars, sweeping vocal harmonies, and symphonic arrangements, but their lyrics have always been hit-or-miss.

The Beard’s record label went under before the recording of X and instead of shopping around for a new contract, they decided to take pre-orders from fans for a special edition of the new album while they were recording it.  They used this money to finance the production of their record, and in homage to those who dedicated money to the special edition, Spock’s Beard wrote their names into a song.

Instead of simply dropping some bland names on top of a basic chord progression, they opted for a more creative approach.  The result is ‘Their Names Escape Me,’ which is a Orwellian tale of a dissident being forced to reveal the names of those who have committed treason against the “nation.”

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